Writers Retreat

Please bring materials to take notes and work on writing assignments. In workshops, you will usually use journals and pens, but a laptop can be handy during the week. A USB Flash Drive (memory stick) is also recommended. Printers and Wi-Fi will be available.

Conflict & Resolution Clinic with Ignatius Valentine Aloysius

In this workshop, we’ll dive deep into the art and practice of writing compelling conflicts and exploring meaningful resolutions. We’ll look at examples in literature as we explore different conflict types, experiment with escalation, tone, and action (or inaction), and find strategies to achieve transformative resolutions. What is the right type of conflict for your chosen form, and can you tease tension within it to hold the reader’s attention to the end? Learn how conflict and resolution can help shape your characters’ worldviews and their outcomes for better or worse. All genres and all levels of experience are welcome.

If Oscar Wilde once said, "The heart was made to be broken,” let’s find all that can embrace its true self.

A Sense of Place with Patricia Ann McNair - (This workshop is Full)

“A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his own image.” -Joan Didion.

In this workshop, we will explore the impact of place on our narratives. From Grandmother’s kitchen, to newfound galaxies, to the colorful streets of Havana, Cuba, stories set firmly in the places they inhabit lure readers in and connect them with memory, metaphor, movement, and more. Whatever you are writing—nonfiction travel pieces; small town narratives; stories of journey and destination (imaginative or realistic); domestic, home-tied tales, etc.—a sense of place is essential to the creation. Through reading and writing activities we will discover new work and reinvigorate ongoing material. Open to all genres and levels of experience.

The Inspired Habit: Daily Practice, Experimentation, and Discovery with Anne-Marie Oomen - (This workshop is Full)

How can inspiration be a habit?  Isn’t inspiration a moment of such sudden newness it is associated with life-giving breath—that sudden gasp of understanding? Oh that’s it! It even rises from the Latin noun, inspirare, meaning to "blow into, breathe upon. The word connotes light and flame, even inflammation. Metaphorically, the sudden understanding associated with inspiration always seems like an inhalation of literary oxygen, changing colors in the mind like oxygen changes the color of blood. Something coming to life.  Feels pretty miraculous. But what happens if, instead of waiting to be struck, we writers nurtured inspiration with daily practice and simultaneous experimentation?

In this workshop we will consider how inspiration operates not as a rare moment of enlightenment, but as an experience we can build into our daily literary endeavors. I’ll be riffing on Twyla Tharpe’s book “The Creative Habit” but offering a twist toward the literary and the personal. We will explore how experimentation might help us produce new and exciting work. We will even take a field trip! For all levels of experience and skill, open to all genres.

Special note: For those who attended Anne-Marie’s “Cross-training” class in 2023, some similar exercises may be explored again.

Story and Adaptation with Lesley Alicia Tye:

"The cinema has no boundary; it is a ribbon of dream." - Orson Welles

This workshop is for writers looking to adapt fiction or nonfiction to the stage or screen. Experimenting with a variety of genres only makes writers stronger in the form they are already comfortable with. Scriptwriting can teach fiction writers about strong story structure as well as crafting dialogue. Through exploration of examples and specific structure tools, you will come away with practical ways to approach adaptations and heighten story elements. You should bring work that you want to adapt with you—whether your own or something in the public domain. You will get a chance to work at both a scene level of adapting, as well as on larger outlines for full length scripts.  

Building Character with Mary Kay Zuravleff - (This workshop is Full)

“The baby born to Alice had Paolo’s dark brows and golden eyes—surprising, maybe, until you remember that all humans look pretty much alike.” Edith Pearlman, Honeydew

In this workshop, we’ll practice techniques for creating vivid and original characters. We’ll choose physical traits that help determine plot and resonate with the story; write believable dialogue that also reveals character; and discover character “tells” that show emotion like bluffing or betrayal. We’ll read, write, and share in a supportive environment. Come populate your fiction with a cast worth remembering!