Valerie St. Pierre Smith

 Valerie St. Pierre Smith
Instructor of Costume Design
Stephens College
Bachelor of Fine Arts, Theatre
San Diego State University
Master of Fine Arts, Theatre Arts - Costume Design

About Valerie

"Aanii, ndinaawamagaanadog! Maygabow Ogidajew Kwe, nindizhinikaaz; Gaa-waabaabiganikaag + Um’oha, ndoonjibaa, Migizi ndoodem. Hello, my relatives! My Anishnaabe name is Woman Standing on the Mountaintop; Valerie St.Pierre Smith for English. My family is from White Earth, and I currently reside on the unceded lands of the Um’oha people, commonly known as Omaha, Nebraska, U.S. I am Eagle clan."

A two-spirit mischief maker, multi-disciplinary designer/artisan, scholar, writer, and healer, Valerie has an eclectic creative background including fashion, costume, and textile design. Her award winning costume designs have been seen across the U.S. with highlights that include McCarter Theater, Berkeley Repertory Theatre, The Kennedy Center, Woolly Mammoth Theatre, Mixed Blood Theatre, Sea World: San Diego, the National Museum of the American Indian, and Pilobolus Dance Theatre. A bit of a unicorn, Valerie’s research and scholarly work focuses on indigenizing and decolonizing western design paradigms, pedagogies, and practices in a post-colonial world. Her creative practice is inspired by the craft and aesthetic traditions of her Anishnaabe heritage, exploring and reflecting her own experiences as a mixed blood Anishnaabe-kwe at the confluence of healing, social justice, traditional Anishinaabe teachings, and the power of identity. Valerie holds a B.F.A from Stephens College, and an M.F.A from San Diego State University. Miigwech agindan- thank you for reading.

For more information, visit Valerie's website or follow her on Instagram at @valeriestpierresmith.

As a creative and educator, I find it important to play as much as analyze; listen as much as talk; and to continually re-evaluate our inherited Western academic paradigms, processes, and practices. I encourage my students to find their voice, their center, and their confidence in themselves.

  • CREATIVE ACTIVITY (select creative work):
    • 2024 The Pleasure of Small Art, MVA (Modern Visual Art) Gallery, Bethlehem, Pennsylvania
    • 2024 Gathering, Amplify Arts at Generator Space, Omaha, Nebraska. Organizer, collaborator, exhibiting artist
    • 2024 10x10x10xTieton, Tieton Arts + Humanities, Tieton, Washington (Juror: Angelina Villalobos, Artist, Activities, Muralist, Seattle, Washington)
    • 2024 Mountain Plains Contemporary Art Biennial, Salina Arts Center, Salina, Kansas (Juror: Jane Burke, Curator, Boulder Museum of Contemporary Art, Boulder, Colorado)
    • 2024 Native Stories of Perseverance in Art + Cancer, The Union for Contemporary Art in partnership with University of Nebraska Medical Center, Omaha, Nebraska
    • Tales from the Underworld, Pilobolus Dance Theatre world premiere American Dance Festival, Raleigh-Durham, North Carolina
    • Bulrusher, McCarter Theatre + Berkeley Repertory Theatre co-production. Dir. Nicole A. Watson
    • Noctuary, Pilobolus Dance Theatre, world premiere American Dance Festival, Raleigh-Durham, North Carolina
    • Awaken Heart, Pilobolus Dance Theatre, world premiere American Dance Festival, Raleigh-Durham, North Carolina
    • The Ballad, Pilobolus Dance Theatre, world premiere American Dance Festival, Raleigh-Durham, North Carolina
    • Epic, Dir. Michael John Garces; Great Plains Theatre Conference
  • CREATIVE RESEARCH- Peer- Reviewed Conference Proceedings, Residencies, and Presentations (select):
    • “Decolonizing the Narrative Series: Valerie St. Pierre Smith,” Sept. 25, 2024. Banff Centre for Arts and Creativity, Banff, Alberta, Canada
    • Interlochen Center for the Arts, Faculty, Summer Intensive, Costume Design
    • 2024 selected designer, Indigenous Haute Couture- Digital Embellishment, residency, Banff Centre for Arts and Creativity, Banff, Alberta, Canada
    • Amplify Arts Alternate Currents Working Group, member artist
    • Invited Presenter: “Pocket Guide to Cultural Appropriation in Design.” United States Institute of Theatre Technology National Conference (virtual)
    • Panelist/Judge, Omaha Fashion Week Emerging Designers Panel, Spring 2020 season
  • HONORS, AWARDS AND AFFILIATIONS (select):
    • Fulbright Scholar Program - Scotland Distinguished Scholar Award in Art and Humanities at the University of Edinburgh, College of Arts, Humanities, and Social Sciences, finalist
    • Kennedy Center American College Theatre Festival Region V Commendation for Achievement in Costume Design, The Clearing
    • Design Wing Fellow, Great Plains Theatre Conference
  • PUBLICATIONS AND POSTERS (select):
    • St. Pierre Smith, V. (2025- anticipated). Weaving the Strands: Decolonial Practices, Paradigms and Pedagogies for Art + Design (working title), Routledge Press
    • St. Pierre Smith, V. (2024). “Who R You: The Economics of Identity – or – What Does It Cost to Be Me?” We Free Us, Amplify Arts Alternate Currents Reader
    • St. Pierre Smith, V. (2021). “Pocket Guide to Cultural Appropriation in Design.” United States Institute for Theatre Technology Costume Commission Digital Archives
    • St. Pierre Smith, V. (2020), contributor. In Darby, J., Elkin-Mohler, C. and Stanlake, C. Critical Companion to Native American and First Nations Theatre and Performance: Indigenous Bloomsbury Methuen Drama

B.F.A. Theatre - Stephens College
M.F.A. Theatre: Costume Design concentration - San Diego State University