A Major Upgrade for Music Lab

High-definition digital audio, synthesis instruments, live recording devices and extensive sound libraries—it’s all part of the updated composition lab that students are using for the first time this summer. The renovation project began last fall, when it became apparent that the lab’s seven-year-old computers were no longer sufficient for the quickly changing media environment and an expanding theory, composition, and computer music program at Interlochen. So, with the generous support of Interlochen alumnus Joel McNeely (IAA 74-77), the music department was able to implement state-of-the-art technology in the main music lab of the Frohlich Building.

The new equipment includes 18 iMac computers, each connected to a 61-key Oxygen keyboard with a sustain pedal. Each computer has the latest versions of Finale, Sibelius, Komplete 6 and Digital Performer and the teacher work station is equipped with the program LAN School, which allows the instructor to monitor and control the screen of each student station.

“This software is extremely helpful in keeping students on task and providing support when needed,” said Education Technology Coordinator Scott Morey. “The lab is a dramatic improvement over what we had in the past.”

Instructor of Computer Music and Composition Peter Terry, who has worked as summer music faculty for more than 16 years, has seen the lab evolve through many stages. The previous lab equipment was up-to-date when they got it in 2003, but it was built around a much older model. Because computers have changed so rapidly in the past five years, explained Terry, it wasn’t possible to update the ones that were already there; the lab would require a major renovation. In addition, the music theory and composition program has grown from three to seven electronic music classes over the past 19 years.

Joel McNeely, an Emmy Award-winning composer and conductor, provided funds for some equipment and was also an important source in deciding what computer programs to implement. “I was at Interlochen for the Board of Trustees meeting and met with the theory and composition students one afternoon,” he said. “They showed me the composition lab, and I realized it had not been updated in some time. It had all good equipment, but in the field of music composition, technology has changed at a head-spinning rate… So, with the help of Dr. Merwin, director of the music program, and some of the composition faculty, we set about designing a system that would best suit the needs of the young composers.”

With more than 100 motion picture and television credits, McNeely has worked with some of Hollywood’s most influential producers and directors, including James Cameron, John Lasseter and George Lucas. He recently led the Chicago Symphony at Orchestra Hall and has worked with numerous other renowned orchestras. In 2002, he was given the Path of Inspiration Award from Interlochen.

After consulting McNeely about the new lab, it was decided to assemble systems that are capable of designing music for film scores—a key capability that may eventually integrate the composition students’ work with the motion picture arts program. “I think everyone is very excited to see how our students and faculty make use of this new investment,” said Morey.